Russia Protests Demand That Everyone Who Attends the United Nations Building be Vaxxed Out

Andrew Anglin

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The UN building is ugly and satanic

It looks like the monolith from 2001. Coincidence?

Imagine going back to the 1960s and telling Americans that in 2021, Russia would be defending global freedom against Americans trying to force vaccinate people against a disease that doesn’t exist.

The Guardian:

All diplomats attending the UN general assembly in New York next week will have to provide proof of vaccination, the city government has confirmed, prompting an angry response from Russia.

Delegates must be vaccinated to enter the debate hall, the mayor’s office told the assembly president in a letter dated 9 September.

They must also be vaccinated if they want to eat or exercise indoors, the letter added.

New York began enforcing a vaccine mandate on Monday, requiring proof of at least one shot for many indoor activities, including restaurants and entertainment venues.

The letter signed by New York City’s health commissioner and confirmed by his spokesman said the UN debate hall was classified as a “convention center”, meaning all attendees must be vaccinated.

“They must also show proof of vaccination prior to dining, drinking or exercising indoors on the UN campus, and in order to partake in all of New York City’s wonderful entertainment, dining and fitness activities,” he said.

Russia’s ambassador requested an urgent Thursday meeting of the general assembly to discuss the move.

Vassily Nebenzia wrote to assembly president Abdulla Shahid Wednesday saying he had been “very much surprised and disappointed” by a letter Shahid wrote to members in which he supported the proof of vaccination requirement.

“We strongly object that only people with a proof of vaccination should be admitted to the GA hall,” Nebenzia wrote in the letter seen by AFP.

He described it as “a clearly discriminatory measure”, adding that preventing delegates to access the hall was a “clear violation of the UN charter”.
Yeah, I thought that the UN existed outside of local New York law?

Isn’t the UN building kind of like an embassy, in that it is some kind of sovereign international territory?

The UN is a joke anyway, just like the US government, and nations should protest it.

These people can’t even stop the Philippines from slaughtering drug dealers. They are not a serious group.

The West made this decision to destroy their own selves, to wreck their position on the global stage by behaving like impudent, stupid children. Anyone who takes them seriously is humiliating their own selves.

If Russia, China, and the rest of the countries call the bluff, establish Bitcoin as the global reserve currency, and just stop paying attention to the US, everything on earth will just be normal.

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Angryguy

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This is the hill to die on. If Russians get barred from UN. China better force vaccinate all western athletes at the upcoming Olympics with a laundry list of shots. Fight fire with fire.
 

marcion

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"Sorry, Russia. The Security Council voted without you because you weren't allowed in the building. But we'll let you know what we decided to do with your territories - all according to the rules."
 

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The UN Meditation Room...

1631996589300.jpeg



"A Room of Quiet"
The Meditation Room,
United Nations Headquarters

In the original plan for the new Headquarters, a tiny room had been provided as a place dedicated to silence, where people could withdraw into themselves, regardless of their faith, creed or religion, but Dag Hammarskjöld wanted something more dignified. In his efforts he was supported by a group, composed of Christians, Jews, and Moslems, the "Friends of the UN Meditation Room", who combined their efforts and provided the money for a room worthy of a world organization.
The work on the room began, and Mr. Hammarskjöld personally planned and supervised in every detail the creation of the "Meditation Room".

Meditation Room


Abstract mural in the Meditation
Room by painter Bo Beskow
( photo © F. Lère)
An example of his interest is reflected in this exchange of correspondence in Swedish regarding the design of the fabric to be used for the carpeting. The letter by Dag Hammarskjöld is translated.
Journalist Pauline Frederick gave another example of this interest in an interview for the UN Oral History Collection. "He was instrumental in creating what he called the Meditation Room. He said that "This House" - which he referred to the UN frequently... - This house must have one room dedicated to silence... I remember very distinctly one night, when I heard that he had been working most of the night, and about two o'clock in the morning, he called some of his aides in, and they assumed that there had been some bad news from one of the fronts where the United Nations Emergency Forces were then located, but he said, "I want to go down to the Meditation Room." And he took them down to the Meditation Room, and it was about, as I said, two o'clock in the morning, and there he spent considerable time directing the painters to put just the precise coat of paint on the walls of that Meditation Room, so the light would be just as he wanted it. So he had a very close feeling about the spiritual. And he felt that it should be the center of the United Nations. He had a special crew of painters working on the Meditation Room that evening. He said, "We want to bring back, in this room, the stillness which we have lost in our streets, and in our conference rooms, and to bring it back in a setting in which no noise would impinge on our imagination."
He banned chairs and replaced them with benches; in the center of the room he placed a six-and-half-ton rectangular block of iron ore, polished on the top and illuminated from above by a single spotlight. This block, which was a gift of the King of Sweden and a Swedish mining company, was the only symbol in the Room. Mr. Hammarskjöld described it as "...a meeting of the light, of the sky, and the earth... it is the altar to the God of all.... we want this massive altar to give the impression of something more than temporary...".
In addition, an abstract mural, a composition of interlocking geometric patterns which is supposed to evoke a feeling of the essential oneness of God, was ordered by Dag Hammarskjöld from his artist friend Bo Beskow.
The room was re-opened in 1957. Dag Hammarskjöld wrote the following text to be distributed to the visitors of the room:
"We all have within us a center of stillness surrounded by silence.
This house, dedicated to work and debate in the service of peace, should have one room dedicated to silence in the outward sense and stillness in the inner sense.
It has been the aim to create in this small room a place where the doors may be open to the infinite lands of thought and prayer.
People of many faiths will meet here, and for that reason none of the symbols to which we are accustomed in our meditation could be used.
However, there are simple things which speak to us all with the same language. We have sought for such things and we believe that we have found them in the shaft of light striking the shimmering surface of solid rock.
So, in the middle of the room we see a symbol of how, daily, the light of the skies gives life to the earth on which we stand, a symbol to many of us of how the light of the spirit gives life to matter.
But the stone in the middle of the room has more to tell us. We may see it as an altar, empty not because there is no God, not because it is an altar to an unknown god, but because it is dedicated to the God whom man worships under many names and in many forms.
The stone in the middle of the room reminds us also of the firm and permanent in a world of movement and change. The block of iron ore has the weight and solidity of the everlasting. It is a reminder of that cornerstone of endurance and faith on which all human endeavour must be based.
The material of the stone leads our thoughts to the necessity for choice between destruction and construction, between war and peace. Of iron man has forged his swords, of iron he has also made his ploughshares. Of iron he has constructed tanks, but of iron he has likewise built homes for man. The block of iron ore is part of the wealth we have inherited on this earth of ours. How are we to use it?
The shaft of light strikes the stone in a room of utter simplicity. There are no other symbols, there is nothing to distract our attention or to break in on the stillness within ourselves. When our eyes travel from these symbols to the front wall, they meet a simple pattern opening up the room to the harmony, freedom and balance of space.
There is an ancient saying that the sense of a vessel is not in its shell but in the void. So it is with this room. It is for those who come here to fill the void with what they find in their center of stillness."
 

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LittleGuinea

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The UN Meditation Room...

View attachment 66560




Meditation Room


Abstract mural in the Meditation
Room by painter Bo Beskow
( photo © F. Lère)

"We all have within us a center of stillness surrounded by silence.
This house, dedicated to work and debate in the service of peace, should have one room dedicated to silence in the outward sense and stillness in the inner sense.
It has been the aim to create in this small room a place where the doors may be open to the infinite lands of thought and prayer.
People of many faiths will meet here, and for that reason none of the symbols to which we are accustomed in our meditation could be used.
However, there are simple things which speak to us all with the same language. We have sought for such things and we believe that we have found them in the shaft of light striking the shimmering surface of solid rock.
So, in the middle of the room we see a symbol of how, daily, the light of the skies gives life to the earth on which we stand, a symbol to many of us of how the light of the spirit gives life to matter.
But the stone in the middle of the room has more to tell us. We may see it as an altar, empty not because there is no God, not because it is an altar to an unknown god, but because it is dedicated to the God whom man worships under many names and in many forms.
The stone in the middle of the room reminds us also of the firm and permanent in a world of movement and change. The block of iron ore has the weight and solidity of the everlasting. It is a reminder of that cornerstone of endurance and faith on which all human endeavour must be based.
The material of the stone leads our thoughts to the necessity for choice between destruction and construction, between war and peace. Of iron man has forged his swords, of iron he has also made his ploughshares. Of iron he has constructed tanks, but of iron he has likewise built homes for man. The block of iron ore is part of the wealth we have inherited on this earth of ours. How are we to use it?
The shaft of light strikes the stone in a room of utter simplicity. There are no other symbols, there is nothing to distract our attention or to break in on the stillness within ourselves. When our eyes travel from these symbols to the front wall, they meet a simple pattern opening up the room to the harmony, freedom and balance of space.
There is an ancient saying that the sense of a vessel is not in its shell but in the void. So it is with this room. It is for those who come here to fill the void with what they find in their center of stillness."
That altar is for baby sacrifice to the Elder God of Chaos and Madness (depicted on the wall), prove me wrong.
 

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That altar is for baby sacrifice to the Elder God of Chaos and Madness (depicted on the wall), prove me wrong.
The pdf link and the book's detailed description pretty much covers it extensively. I do believe the black cube of iron ore is also magnetite so it carries a magnetic charge, interestingly. The room's shape is trapezoidal with it narrowing as the walls approach the mural. Like a pyramid with no capstone, but lying on its side, and the mural is the capstone. I believe the mural is decoded to represent...Lucifer, if I remember the pdf correctly.
 

LittleGuinea

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I do believe the black cube of iron ore is also magnetite so it carries a magnetic charge, interestingly.
That's weird, reminds me of a freaky dream I had a while back where I joined a Sith group because the Jedi losers I was hanging-out with were too into organic tofu. All was going great until I got to the center of the party, which was a giant black stone radiating magnetic energy and they were dismembering kittens on it. The power coming of the thing was intoxicating and made me start tripping in the dream. Weird shit, no bueno.
 

Vitamin-KKK

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It looks like the monolith from 2001. Coincidence?
The Monolith is in a 9:4:1 ratio (part of the luciferian NWO obsession with numerology -- 3² + 2² + 1²). In the book 2010 when Jupiter is converted into a new star, Clarke even names it Lucifer, the lightbringer. This kind of shit is threaded all throughout globalist thinking, way too much to be coincidence.

I have not looked it up but I would not be a bit surprised if the UN building is 9:4:1 in its dimensions.
 

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The Monolith is in a 9:4:1 ratio (part of the luciferian NWO obsession with numerology -- 3² + 2² + 1²). In the book 2010 when Jupiter is converted into a new star, Clarke even names it Lucifer, the lightbringer. This kind of shit is threaded all throughout globalist thinking, way too much to be coincidence.

I have not looked it up but I would not be a bit surprised if the UN building is 9:4:1 in its dimensions.
Most interesting. It would not surprise me if something like that figures out.

I have to wonder if the stone at the UN is somehow related to the Cult of the Black Cube.
Theion publishing is known for supplying very rare and important occult books and the first edition of the Cult of the Black Cube was likely their best seller ever.
A second edition has been published and is now offered on pre-order.

Dr. Arthur Moros was a scholar of religions and a devoted initiate of Saturn for 30 years. Sadly he passed away in early 2017 under mysterious circumstances. The Cult of the Black Cube is his esoteric legacy.
Upcoming Pre-order Cult of the Black Cube, 2nd edition
Due to strong popular demand, Theion Publishing has decided to issue a 2nd fully revised and corrected edition of the highly acclaimed The Cult of the Black Cube by Arthur Moros. This edition will contain an introduction by Tomas Vincente, author of The Faceless God. Further, we are proud to announce a substantial investigation of the Saturnian deity within the Kosmic pan-daemonic tradition by David Beth to be included in this work.
Description
Feared, bedeviled and vilified but also venerated, adored and embraced, Saturn and his shadowy powers have strongly influenced the spiritual and magical life of cultures and individuals for millennia. Concentrating especially on His antinomian and anti-cosmic character, The Cult of The Black Cube: A Saturnian Grimoire is a seminal study on the occult essence and esoteric significance of Saturn in theory and practice.
The Cult of the Black Cube: A Saturnian Grimoire is divided into three main sections:
Part I examines the ambivalent role of Saturn in various religious and magical traditions around the world focusing especially on His Islamic, Classical and Indian cults. Fleshing out the common traits underlying Saturn’s global manifestations, Dr. Moros argues for a perennial cult of Saturn expressed in various cultural guises.
Part II and III comprise the Grimoire of the Black Cube which provides a comprehensive armory of occult weaponry to initiate Saturnine contact and to establish an individual cultus of Saturn. Part II presents a thorough esoteric analysis of the Saturnine Cult and the nature of its initiatic path. Part III is devoted to the practical applications of Saturnine worship and magic.
Corrected and revised, this second edition also features a new foreword by Dr. Tomas Vincente, author of The Faceless God, and an elaborate essay by David Beth on the Saturnine deity entitled “Clavis Saturni: A Kosmic Heresy”.
David’s treatise is based on notes he had initially provided to Arthur Moros who had intended to compose a further chapter for his book detailing the Saturnian vibrations within the Kosmic ‘pandaemonic’ current – unfortunately, his premature death prevented the writing of this section. With encouragement from the Moros estate, David Beth decided to work these notes into an essay in order to make its Gnosis available to the esoteric community.
The author Dr. Moros (pseudonym) was a scholar of religions and a devoted initiate of Saturn for 30 years. Sadly he passed away in early 2017 under mysterious circumstances. This book is his esoteric legacy.
View Table of Contents
Bibliographic details:
  • 192 pages, 165×235 mm,
  • printed on wood-free high quality Lessebo Design paper (115gsm),
  • Surbalin metallic endpapers.
Cloth Hardcover Edition (Available to pre-order):
  • Bound in deep black fine cloth,
  • front embossing, lettering on spine, headbands, book ribbon,
  • limited to 903 copies.
62,- EUR + shipping, incl. VAT if applicable
Auric Edition (SOLD OUT):
  • Hand-bound fully in German-manufactured leather with small lead plate on front,
  • additional embossing on front, back and spine,
  • raised bands, headbands, ribbon,
  • custom slipcase,
  • limited to 43 hand-numbered copies.
This is a pre-order. We expect the Cloth Hardcover Edition to ship late September and the Auric Edition in October.
 
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Vitamin-KKK

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Most interesting. It would not surprise me if something like that figures out.

I have to wonder if the stone at the UN is somehow related to the Cult of the Black Cube.
Theion publishing is know for supplying very rare and important occult books and the first edition of the Cult of the Black Cube was likely their best seller ever.
A second edition has been published and is now offered on pre-order.
I also wonder if Clarke intended a deeper meaning with his renaming of Jupiter to Lucifer. Jupiter was of course the Roman name for Zeus, the principal god of the Greco-Roman pantheon. Did Clarke intend to say that with the Monolith -- harbinger of knowledge and evolution -- mankind will replace God and instead deify human intellect (represented by the bringer of light, Lucifer)?
 

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Russia should leave the UN and offer asylum to all those who want to escape the Global Vaxx Regime. We can get free land in Siberia and a Russian GF.
 

Cousin Groypley

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@Andrew Anglin You've probably already been asked this already, but I don't recall hearing your thoughts. Do you think of the Sputnik vaccine? Is it a placebo, or is it a legit adenoviral vaccine? If the latter is the case, what virus is in it? I'm wondering the game Putin is playing here, because he isn't pushing mandates or hardcore lockdowns, but has promoted Sputnik. Is his strategy similar to that of the Chinese in your view, where he plays along with the West to a certain degree, but isn't cracking down hardcore within the country.
 

DaveA

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I also wonder if Clarke intended a deeper meaning with his renaming of Jupiter to Lucifer. Jupiter was of course the Roman name for Zeus, the principal god of the Greco-Roman pantheon. Did Clarke intend to say that with the Monolith -- harbinger of knowledge and evolution -- mankind will replace God and instead deify human intellect (represented by the bringer of light, Lucifer)?
I think he's saying that intellect will deify itself. In the book, Clarke explains that the aliens were once mortal beings of flesh and blood, like us, then fleshy brains inside robots, then computer brains inside robots. Finally, eons ago, they discovered how to store information in the structure of space itself, and became powerful, immortal, non-corporeal entities of pure information -- what we would call "gods". The God of the Bible might or might not exist, but if you're never going to die, at least not until the heat death of the Universe, why would you fear His wrath?
 
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